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Archives
Drawings
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Monotypes
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Pastels
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of my new studio
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A Note on Framing
and Buying
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The
"Archives" page includes paintings that are sold (designated
by "private collection", or paintings that are particular
favorites of mine that I keep in "artist's collection, and some are
simply paintings that have not been shown to the right person at
the right time (that is artistspeak for no buyer). There are a
few sculptures as well as several that have "disappeared" one of
which was stolen in New York City in the sixties and some are
very early works, the whereabouts unknown.
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Alison and Allan,
Oil on Canvas,
24 x 24,
2003
My friend Alison Kent (who
is also my cousin) commissioned me to produce this painting as a
gift for her husband on the occasion of their marriage. She
chose all the elements of the painting and sent me many of the
items that are in this painting. It was one of those projects
that one can really be absorbed in, and I loved doing this
painting, even though I worried it was so small and would be
difficult to include everything she wanted in it. One item she
specified was a Labrador Retriever. I couldn't imagine how this
was going to be accomplished, but only a week later I spotted
this dog figurine in a gift shop in Tarpon Springs. Sometimes I
find things like this on EBay.
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private
collection |
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Carnations and Poodle,
Oil on Canvas,
35 x 27, 1977
This painting was done in my studio in Stonington, Connecticut.
I set up the still life and my toy poodle "Mousse" would lie
down in that spot and I would shoo him away and five minutes
later he would be back. He patiently posed in that position for
may sessions of this painting and since he was so insistent that
he wanted to be in the painting I gave up and painted him in.
During this time I also was into making my own frames and this
painting has one of my handmade frames.
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artist's
collection |
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Black and White,
Oil on Canvas,
18 x 24,
1983
I painted this to try out the light in a new studio in Mystic,
Connecticut. It occurred to me that a very stark, black and
white painting would show values more than a lot of color, so I
set up a black Wedgwood tea pot and a white hobnail pitcher and
went to work.
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private
collection
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Amaryllis
and Mangoes,
Monotype on Honshu Paper,
32 x 45 (frame size),
1999
During the nineties I did many monotypes.
I love doing them because it keeps me spontaneous and it is easy
to throw out paintings that don't work since there is not the
amount of time invested in a monotype.
$400
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The Clown,
Oil on Canvas,
28 x 18,
1951
I actually remember doing this
painting in school when I was ten years old. I think it was
inspired by the famous clown Emmet Kelley who singled me out of
the audience at the circus and said some funny things to me, but
I could only see how sad he was. My grandmother had it framed
and shown all over the place, much to my embarrassment. However,
because of both my grandmother and my mother, who had it over
the mantelpiece of her summer cottage in Mystic Connecticut it
has survived many moves and attempts to rid my life of all old
work that I didn't like at the time.
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artist's
collection |
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Dahlias,
Oil on Canvas
If you ever see this painting please let
me know. It was stolen from a gallery in New York City in 1965
(approximately). I hope whoever took it is enjoying it.
Click here
to see a photograph of me just after completing it at the
Madison Art Gallery in one of Brackman's summer classes during
the early sixties.
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not
available |
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Eclipse of the Tides,
Oil on Canvas,
18 x 24,
date unknown
I had a dream where I was supposed to know some
complicated oceanographic and meteorological science, none of
which I understood. For some reason, which I have since
forgotten, it was very important to paint the essence of this
dream, and the result is this painting which has an equally
strange title. The view is of Fisher's Island sound looking out
to Latimer's Reef Light.
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private
collection |
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Chesapeake Bay Hideaway,
Oil on Canvas Panel,
9 x 12, 1981
From 1979 to 1985 George and I went
sailing. We moved aboard a 31 foot sloop and started cruising
north and south from New England to Florida. The Chesapeake was
one of our favorite spots to dally in, and this cove was a
wonderful hiding place from all the traffic and activity on
weekends around Annapolis. These two paintings are priced quite
low due to the fact that they are pretty old and painted on
canvas panels and not on my usual stretched canvas.
$65
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private collection |
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North
Carolina Low Country,
Oil on Canvas Panel,
9 x 12, 1980
This is another painting I did during
those years on our boat. It was very difficult to paint on a 31
foot sloop, but I managed to paint a few while we lived aboard.
These two paintings were mounted on our locker doors and were
nice additions to the hominess of our quarters.
$65
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private collection |
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Mr.
Mallery's Legacy,
Oil on Canvas,
18 x 24,
2003
This painting was done as a gift for David
Mallery, on his eightieth birthday. It was a tribute to this
brilliant teacher which my class at Germantown Friends School
was lucky enough to experience in 11th grade. We were the last
formal class he taught, as he went on to a very distinguished
career in education; teaching teachers to teach. The books were class reading
assignments and various items in the painting were relics
of those days from high school in 1958. The wall paper includes
the names of everyone in the class!
Giclée prints are available
(click here)
See my blog entry January 19, 2010
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private collection |
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The Bedroom,
Plaster Low Relief,
31 x 23,
date unknown
I learned to do this type of sculpture,
which I liked better than three dimensional work, at Lyme
Academy of Fine Arts, in a class taught by Laci deGerenday. I
would love to do more of this type of work, but unfortunately I
no longer have the space or the time for it. Plaster casting is
very messy!
$1250
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Pastel Nude,
Pastel on Canson Mi-Tientes,
25 x 19,
c. 1951-1963
This pastel shows the
Brackman influence! I do not know when I did it but it was in
one of his classes. I was so proud
of my parents who decided to hang this pastel in their formal
living room of their house in Philadelphia. It was very bold of
them to do that! Its whereabouts are now unknown.
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not available |
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Homage to
Cézanne, Oil on Canvas,
size unknown, 1975
The book is open to some pictures of
Cézanne's works. This painting is also "gone". I am not sure
what happened to it, and I also am not sure why I named it the
way I did, except that Cézanne has always been one of my art
heroes from whom I have learned a great deal about painting.
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not available
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In Memoriam,
Oil on Canvas,
26 x 20, 1991
This was painted for a dear friend who's
youngest son was born with Cerebral Palsy. He was one of those
beings with an incredible spirit that went beyond his years and
spending time with him, however short, was an unforgettable
experience. I wanted to commemorate his essence in this
painting, and his picture is in the photograph next to the vase
of sunflowers.
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Private collection |
©Gainor E. Roberts 2008
All the works of art shown in the website are protected by the Copyright
Laws of the United States of America and may only be used by permission
of the artist.
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